What Determines Value
What makes inherited Tiffany silver valuable
Tiffany & Co. is the most recognized name in American silver, and its best pieces rank among the finest silver ever produced anywhere. But Tiffany made silver across a wide range of patterns, periods, and forms — and the differences in value between them are enormous. Understanding what you have starts with knowing a little about the company's silver history and the patterns that drive collector demand.
A brief history
Tiffany & Co. began selling sterling silver in the 1850s, supplied by the independent workshop of Edward C. Moore, one of the most important silversmiths in American history. Moore's workshop was formally absorbed into Tiffany & Co. in 1868, and under his direction the silver division elevated Tiffany from simple tableware to an art form, incorporating influences from Japanese metalwork, classical antiquity, and the natural world. By the 1870s, Tiffany silver was winning international awards and establishing the company as a defining American luxury brand.
Moore directed Tiffany's silver production until his death in 1891, and pieces from his era are among the most valuable American silver ever made. The company continued producing high-quality silver throughout the 20th century, though the artistic ambition and handcraft of the Moore era was gradually replaced by more standardized production. Tiffany silver remains in production today, but the distinction between 19th-century and modern Tiffany silver is significant for valuation.
Key flatware patterns
Tiffany introduced dozens of flatware patterns, and the pattern is the single biggest driver of value beyond silver weight. The most sought-after patterns include:
Chrysanthemum (1880)
The most famous and valuable Tiffany flatware pattern. Designed under Edward C. Moore's direction, Chrysanthemum features ornate, heavily sculpted chrysanthemum blossoms influenced by Japanese art. Complete services in this pattern regularly sell for multiples of their melt value. Individual place settings and serving pieces are also highly collectible. This is the pattern collectors seek most aggressively.
Audubon
A nature-inspired pattern featuring different bird species on each piece, named for the naturalist John James Audubon. Audubon is among the most popular and valuable Tiffany patterns, prized for its artistry and the variety of its designs. Complete services command strong premiums.
Olympian
A richly decorated pattern featuring classical figures and mythological scenes in high relief. Olympian is one of the most elaborately detailed flatware patterns ever produced by any maker. Its sculptural quality makes it highly desirable, and complete services are rare and valuable.
English King, Faneuil, and Hampton
These represent Tiffany's more restrained, traditional patterns. English King is a classic Georgian-inspired design with moderate collector following. Faneuil and Hampton are simpler, more utilitarian patterns — still genuine Tiffany sterling, but they sell closer to silver weight value than the ornate patterns. Understanding this distinction is important for setting realistic expectations.
Tiffany holloware
Tiffany's holloware — tea services, bowls, trophy cups, pitchers, and centerpieces — is often more valuable than flatware. These pieces showcase the company's silversmithing at its most ambitious: hand-chased decoration, complex forms, and substantial silver weight. 19th-century Tiffany tea services are particularly sought after, as are trophy cups with interesting provenance and large presentation pieces. Holloware pieces tend to carry stronger premiums over melt value than flatware because of their sculptural and display quality.
Japanese-style silver (1870s-1880s)
During the 1870s and 1880s, Tiffany produced a remarkable body of silver heavily influenced by Japanese metalwork — incorporating mixed metals, naturalistic motifs, and techniques adapted from Japanese craftsmen. These pieces, created under Edward C. Moore's personal direction, are extremely rare and represent the pinnacle of Tiffany's artistic silver production. Japanese-style Tiffany silver is museum-quality material. Pieces from this period, when they appear at auction, can sell for tens of thousands to well over a hundred thousand dollars.
Marks and identification
Tiffany silver is marked "Tiffany & Co." along with "Sterling" or "925." Most pieces also carry a pattern number, which is the key to identifying the exact design. Earlier pieces made under Edward C. Moore bear an "M" mark; later pieces may carry a "T" for Tiffany production. The pattern number is stamped on flatware handles and on the underside of holloware. This number allows a specialist to identify the pattern, date range, and relative rarity immediately.
Modern vs. antique Tiffany silver
Post-1950 Tiffany silver exists in large quantities and commands less premium than 19th-century pieces. Modern Tiffany baby gifts, picture frames, small accessories, and simple flatware patterns are widely available on the secondary market. While these pieces carry the Tiffany name and are genuine sterling silver, the collector premium is modest. The strongest values are consistently found in 19th-century pieces, particularly those from the Edward C. Moore era, in ornate patterns, and in holloware forms with exceptional craftsmanship.